Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Louis emile pinel de Grandchamp
Femme turque en promenade huile sur panneau (mk32)

ID: 25104

Louis emile pinel de Grandchamp Femme turque en promenade huile sur panneau (mk32)
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Louis emile pinel de Grandchamp Femme turque en promenade huile sur panneau (mk32)


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Louis emile pinel de Grandchamp

Beaune 1831-1894  Related Paintings of Louis emile pinel de Grandchamp :. | Boy in a Red Vest | Still Life with Heron | The Madonna with the Long Neck | Landscape with the Flight into Egypt (mk05) | Portrait of Blaise-Francois-Aldegonde de Jouvencel Maire de Versailles |
Related Artists:
STRIGEL, Hans II
German painter, Swabian school (active 1450-1480 in Memmingen). Painter. The panels of the Montfort-Werdenberg Altarpiece and a Deposition mural (1477), fragment of a series in the church at Tiefenbach, Allgäu, are documented as his. They show an artist in the tradition of Hans Multscher, using strongly foreshortened perspectives for an emphatic relaying of realities. In the 1470s he attempted to tone down the contrasts, to organize his figures after the manner of the Master of Sterzing: a change of style shown in the panels of the Mickhausener altar (Budapest, Mus. F.A.) and the Saints and Passion scenes in the Oberhaus-Museum
Ludovike Simanowiz
Deutsch: Friedrich Schiller (1759 - 1805), Ölgemälde von Ludovike Simanowiz 1793/94 English: Friedrich Schiller, German poet, philosopher, historian, and dramatist
ZEILLER, Jakob Johann
German painter (b. 1708, Reutte, d. 1783, Reutte) Austrian painter. Trained initially by his father, Paul Zeiller (1658-1738), he subsequently studied in Italy (1723-32) with Sebastiano Conca and at the Accademia di S Luca in Rome, and with Francesco Solimena in Naples, then at the Kaiserliche Akademie in Vienna. From 1733 to 1743 he was a regular collaborator on Paul Troger's frescoes, contributing mainly architectural frameworks painted in the style of the Bolognese quadraturisti. He retained such frameworks in his own paintings throughout his life, even in south Germany where this was generally unusual. Troger's influence on the style of Zeiller's figures and on his iconographic repertory was such that his first independent works in Austria






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